Books by E. Lockhart

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  • Given that Roo is hardly likely to remain boy-less in the next book, whom do you think she should hook up with?
    Jackson, of course. He's Jackson Clarke.
    Angelo. Didn't you catch that tingle running down her spine?
    Noel. Just because.
    Cabbie. He may be a muffin, but he knows what he's doing in the boob department.
    Finn. They've been meant for each other ever since that wildcat book in second grade.
    Gideon. He may be old and have hairy eyebrows, but he's hot.
    Hutch. So long as he starts brushing his teeth.
    Shiv. He's got some serious legs. He could dump A.A.O (Awful Ariel Olivieri).
    Billy from the toga party should call her up.
    The girl needs to meet some new people, already.
      
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  • The thumbnail images of books and albums on this site connect you to Amazon.com -- but that's because Amazon and my web service provider have a partnership, so it's extremely easy to put images on my site.
    However, I don't get any kind of kickback if you buy any of these items and I don't endorse any particular bookstore over any other.

Welcome to The Boyfriend List site

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Hello, and thanks for stopping by!

THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS will be in stores March 25, 2008.
Read some reviews and preview the first chapter here.  Click here for tour dates.

Frankie Landau-Banks at age 14:
Debate Club.
Her father's "bunny rabbit."
A mildly geeky girl attending a highly competitive boarding school.

Frankie Landau-Banks at age 15:
A knockout figure.
A sharp tongue.
A chip on her shoulder.
And a gorgeous new senior boyfriend: the supremely goofy, word-obsessed Matthew Livingston.

Frankie Laundau-Banks.
No longer the kind of girl to take "no" for an answer.
Especially when "no" means she's excluded from her boyfriend's all-male secret society.
Not when her ex boyfriend shows up in the strangest of places.
Not when she knows she's smarter than any of them.
When she knows Matthew's lying to her.
And when there are so many, many pranks to be done.

Frankie Landau-Banks, at age 16:
Possibly a criminal mastermind.

This is the story of how she got that way.

""Big ideas are an essential part of the fun in this sparkling tour de force." -- Publishers Weekly, starred review
"Lockhart creates a unique, indelible character in Frankie." -- Booklist, starred review
"An empowered female hero like Frankie is a rare and refreshing find." -- School Library Journal, starred review
"A funny feminist manifesto that will delight the anti–Gossip Girl gang." -- Kirkus, starred review

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HOW TO BE BAD, co-written with Lauren Myracle and Sarah Mlynowski, releases May 6th, 2008.

Three girls who couldn't be more different have one goal in mind: to get the heck out of Dodge. Well, Niceville, Florida, actually. But it might as well be called Nowheresville. Vicks is the wild-child fry cook whose boyfriend left for college and isn't returning any of her calls; Mel, the good girl in expensive jeans who just wants everyone to like her; and Jesse, the trailer-dwelling human morality meter who's discovered a life-altering secret -

Each has her own reason for climbing into Jesse's mom's beat-up station wagon and hitting the highway for a weekend trip, whether she knows it or not. Armed only with Vicks's ancient, battered copy of a guidebook called Fantastical Florida, a map Jesse picked up with her dwindling funds, and Mel's mom's credit card, they're Miami bound. Hearts will be broken, friendships will be tested, and a ridiculously hot stranger could change the course of everything. And if they don't kill each other first, Vicks, Mel and Jesse will not only have a road trip to remember, they'll have friends for life.

"Three deservedly popular YA authors take turns narrating this exuberant novel... Whip-smart dialogue and a fast-moving, picaresque plot that zooms from lump-in-the-throat moments to all-out giddiness will keep readers going, and it's a testimony to how real these girls seem that the final chapters are profoundly satisfying rather than tidy."
-- Publishers Weekly, starred review

Go here for the How to Be Bad Sweepstakes. And here for tour dates!

SOME STUFF TO DO, HERE AT THE SITE:

QUIZZES BASED ON MY BOOKS:
What's Your Fly Style?
Which Boyfriend Do you Have?
Find your Dating Destiny

READ SOME PREVIEWS
The Boyfriend List -- the start of the book (including the crucial list of boys), and the Valentine's Day Horror.
The Boy Book (the sequel to The Boyfriend List) --  the part about what happened at Kim's party and the exposure of Nora's personal bits. Plus in the bushes with Noel!
Fly on the Wall -- two of my favorite sections. 
"Bake Sale" -- a short story about Ruby Oliver of The Boyfriend List, published in the collection Not Like I'm Jealous or Anything.
Dramarama -- two funny bits.
The Disreputable History of Frankie Landau-Banks -- opening chapter.

INFO AND RIDICULOUSNESS
  Visit my blog,  which includes the inside scoops on new books and appearances appearances, many silly memes and quizzes, reader boyfriend lists, Dramarama video clips and more.
Read the "About" page for a bio and twenty-one things you don't know about me (yet).
Check out the FAQ (frequently asked questions) for all the dirt -- and for everything you need to know for your school report.
Scroll down the sidebars here and on the other pages to see various goofy lists I've made, plus links to sites that review YA novels, YA novelists on the web, YA authors who blog, links to books I love -- and a picture of my cat.
Take some polls, see cover art for forthcoming books, foreign editions, etc. Just explore around and you'll find 'em.

AUDIO FUN
Download the Dramarama iMix.
Fly on the Wall audio sample.
The Boyfriend List audio sample.

Thanks for visiting!

--E

Fly on the Wall

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Fly on the Wall: How One Girl Saw Everything is out in paperback, now.

"I think this might be the best YA novel...I've ever read. It's hilarious, and it's so very smart. I mean, I'm serious...It's really amazing."
-- John Green, Looking for Alaska and An Abundance of Katherines

At the Manhattan High School for the Arts, where everyone is "different" and everyone is "special," Gretchen Yee feels ordinary. She's the kind of girl who sits alone at lunch, drawing pictures of Spider-Man, so that she won't have to talk to anyone; who has a crush on Titus but won't do anything about it; who has no one to hang out with when her best (and only real) friend, Katya, is busy.

One day, Gretchen wishes that she could be a fly on the wall in the boys' locker room -- just to learn more about guys. What are they really like? What do they really talk about? Are they really cretins most of the time?

Fly on the Wall is the story of how that wish comes true.
Read a bit of it here.
Or read some reviews.

Dramarama

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DRAMARAMA perfectly captures the rush of working hard and playing hard, screwing up and making up, all for the chance to become the biggest and best you can be."
-- Lauren Myracle, author of TTYL, TTFN, and L8R G8R

Dramarama is available in store -- and comes out in paperback May 2008.
Preview it, here.

Two theater-mad, self-invented, fabulositon Ohio teenagers.
One boy, one girl.
One gay, one straight.
One black, one white.
And SUMMER DRAMA CAMP.
It's a season of hormones,
gold lamé,
hissy fits,
jazz hands,
song and dance,
true love,
and unitards
that will determine their future
--and test their friendship.

Reviews here.

Click here to see YouTube videos of key songs from Dramarama, plus a load of musical theater interviews with YA authors.

All the songs from Dramarama are here, on an iMix. Click on the link and iTunes will open straight to the mix. Listen before you read Dramarama to make sure you get every little musical reference. Listen afterwards to get a sense of Sadye and Demi's musical world. (No iTunes? click here for the straight-up songlist.)

The Disreputable History of Frankie Landau-Banks

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"Big ideas are an essential part of the fun in this sparkling tour de force.... Lockhart (Dramarama; The Boyfriend List) dexterously juggles a number of smart and tantalizing themes—class and privilege, feminism and romance, wordplay and thought, friendship and loyalty—and combines the pacing of a mystery with writing that realizes settings and characters, large and small, with an artist’s sure hand....An exuberant, mischievous story, it scores its points memorably and lastingly."
-- Publishers Weekly, starred review

"Lockhart has transcended the chick-lit genre... A funny feminist manifesto that will delight the anti–Gossip Girl gang."
-- Kirkus, starred review

"An empowered female hero like Frankie is a rare and refreshing find. She is the ultimate feminist role model for teens: a girl with guts and imagination who’s brave enough to take on the “old boy’s club.”
-- School Library Journal, starred review

"Lockhart fashions a thoroughly enjoyable tale of a good girl who aches to be bad....Fans will applaud at the conclusion as Frankie strides into the sunset, metaphorically bloody but unbowed."
-- VOYA

"Lockhart’s wholly engaging narrative, filled with wordplay, often reads like a clever satire about the capers about the entitled, interwoven with elements of a mystery. But the story’s expertly timed comedy also has deep undercurrents. Lockhart creates a unique, indelible character in Frankie, whose oddities only make her more realistic, and teens will be galvanized by her brazen action and her passionate, immediate questions about gender and power, individuals and institutions, and how to fall in love without losing herself."
-- Booklist, starred review

Excerpt below from THE DISREPUTABLE HISTORY OF FRANKIE LANDAU-BANKS, in stores March 22, 2008.


A Piece of Evidence

December 14, 2007

To: Headmaster Richmond and the Board of Directors
Alabaster Preparatory Academy

I, Frankie Landau-Banks, hereby confess that I was the sole mastermind behind the mal-doings of the Loyal Order of the Basset Hounds. I take full responsibility for the disruptions caused by the Order -- including the library lady, the doggies in the window, night of a thousand dogs, the canned beet rebellion and the abduction of the guppy.
That is, I wrote the directives telling everyone what to do.
I, and I alone.
No matter what Porter Welsch told you in his statement.
Of course, the dogs of the Order are human beings with free will. They contributed their labor under no explicit compunction. I did not threaten them or coerce them in any way, and if they chose to follow my instructions, it was not because they feared retribution.
You have requested that I provide you with their names. I respectfully decline to do so. It's not for me to pugn or impugn their characters.
I would like to point out that many of the Order's escapades were intended as social criticism. And that many of the Order's members were probably diverted from more self-destructive behaviors by the activities prescribed them by me. So maybe my actions contributed to a larger good, despite the inconveniences you no doubt suffered.
I do understand the administration's disgruntlement over the incidents. I see that my behavior disrupted the smooth running of your patriarchal establishment. And yet I would like to respectfully suggest that you view each of the Loyal Order's projects with the gruntlement that should attend the creative civil disobedience of students who are politically aware and artistically expressive.
I am not asking that you indulge my behavior; merely that you do not dulge it without considering its context.

Yours sincerely,

Frances Rose Landau-Banks, class of 2010


-----------------------------


Swan

Though not, in hindsight, so startling as the misdeeds she would perpetrate when she returned to boarding school as a sophomore, what happened to Frankie Landau-Banks the summer after her freshman year was a shock. Certainly enough to disturb Frankie's conservative mother, Ruth, and to rile several boys in Frankie's New Jersey neighborhood to thoughts (and even actions) they'd never before contemplated.
Frankie herself was unsettled as well.
Between May and September, she gained four inches and twenty pounds, all in the right places. Went from being a scrawny, awkward child with hands too big for her arms, a frizz of unruly brown fluff on her head and a jaw so sharp it made Grandma Evelyn cluck about how "when it came to plastic surgery, it never hurt to do these things before college" – to being a curvaceous young woman with an off-beat look that boys found distinctly appealing. She grew into her angular face, filled out her figure, and transformed from a homely child into a loaded potato – all while sitting quietly in a suburban hammock, reading the short stories of Dorothy Parker and drinking lemonade.
The only thing Frankie herself had done to facilitate the change was to invest in some leave-in conditioner to tame the frizz. She wasn't the kind of girl to attempt a makeover. She had been getting along okay at Alabaster Prep without one, despite the fact that their boarding school was (as her older sister Zada pointed out) an institution where the WASPs outnumbered the other protestants 10 to 1, the Catholics were pretty much in the closet and the members of the tribe had largely changed their names from things like Bernstein to things like Burns.
Frankie got by at Alabaster on the strength of being Zada's little sister. Zada was a senior when Frankie started, and though she'd never been outlandishly popular, Zada had a solid crew of friends and a reputation for speaking her mind. She let Frankie tag along with her group of juniors and seniors for the first part of the school year, and made it clear to everyone that Frankie was not to be messed with. Zada let her little sister sit with her at lunch on an as-needed basis, and introduced her to people from the crew team, the lacrosse team, student government and the debate team. This last group Frankie joined -- and proved to be a surprisingly sharp competitor.
Frankie had held up her part of the bargain freshman year by not embarrassing Zada any more than she could help. She wore the clothes Zada told her to, did fine in her classes, and made friends with a group of mildly geeky fellow freshman who were neither ostentatiously silly nor tragically lame.
By summer's end, when she saw Zada off to Berkeley, Frankie was curvy, lithe and possessed of enough oomph to stop teenage boys in the street when they passed her. But if we are to accurately chronicle Frankie's transformation and so-called misbehavior in these pages, it is important to note that her physical maturation was not, at first, accompanied by similar mental developments. Intellectually, Frankie was not at all the near-criminal mastermind who created the Fish Liberation Society and who will, as an adult, probably go on to head the CIA, direct action movies, design rocket ships or possibly (if she goes astray) preside over a unit of organized criminals. At the start of sophomore year, Frankie Landau-Banks was none of these things. She was a girl who liked to read, had only ever had one boyfriend, enjoyed the debate team, and still kept gerbils in a Habitrail. She was highly intelligent, but there was nothing unusually ambitious or odd about her mental functioning.
Her favorite food was guacamole and her favorite color was white.
She had never been in love.

-----------------------------


A Chance Encounter that Will Prove Seminal

The day after Zada departed for Berkley, Frankie and her mother went to the Jersey shore for a long weekend with Frankie's two divorced uncles and three cousins. They rented a creaky five-bedroom house on a tiny plot of cement, two blocks from the beach and boardwalk.
Frankie's cousins were all between the ages of ten and thirteen. And they were all boys. A pack of vile creatures, in Frankie's view, given to pummeling one another, throwing food, farting, and messing with Frankie's stuff unless she locked the door of her bedroom.
Every day, the whole group lugged beach chairs, blankets, pretzels, cans of beer (for the uncles), juice boxes and sports equipment down to the shore, where they parked themselves for a solid six hours. Frankie couldn't read a novel without having a sand crab placed on her knee, a bucket of saltwater dumped on her abdomen, or a box of grape juice spilled on her towel. She couldn't swim without some cousin trying to grab her legs or splashing her. She couldn't eat without one of the boys nipping a chip off her plate or kicking sand across her food.
On the last day of the vacation, Frankie lay on a beach blanket listening to her balding, gently paunchy uncles discuss the Jackals' minor league season. Frankie's mother dozed in a beach chair. For the moment, at least, the cousins were in the water, having breath-holding contests and occasionally trying to drown one another.
"Can I go into town?" Frankie asked.
Ruth lifted her sunglasses off her face and squinted at her daughter. "How come?"
"To walk around. Get an ice cream. Maybe buy some postcards," Frankie answered. She wanted to get away from all of them. The togetherness, the sports talk, the farting and pummeling.
Ruth turned to one of her brothers. "Ben, isn't it like fifteen blocks to the center of town? How far would you say it is?"
"Yeah, fifteen blocks," said Uncle Ben. "She shouldn't go alone."
"I'm not going with her," Ruth put her glasses back on her nose. "I came here to relax on the beach, not look at postcards in tourist shops."
"I can go on my own," said Frankie. She didn't want Ruth with her anyway. "Fifteen blocks is not that far."
"There are some shady characters around here," Uncle Ben warned. "Atlantic City is only a few miles north."
"Bunny, you don't know your way around," said Ruth.
"The house is 42 Sea Line Avenue," replied Frankie. "I make a left on Oceanview and it's a straight shot in to where the shops are. I went to the supermarket with Uncle Paul, remember?"
Ruth pursed her lips. "I don't think it's a good idea."
"What do you think is gonna happen? I'm not going to get in a car with any strange men. I have a cell phone."
"It's not a town we know," said Ruth. "I don't want to argue about this."
"But what do you think will happen?"
"I don't what to get into it."
"How do you think I cross the street when I'm at Alabaster, huh?"
"Bunny Rabbit."
"Because I cross the street when you're not there, Mom. Newsflash."
Uncle Paul spoke. "Let her go, Ruth. I let Paulie Junior go in last year when he was only twelve and he was fine."
"See?" Frankie turned to her mother.
"Stay out of it, Paul," snapped Ruth. "Don't make my life difficult."
"You let Paulie Junior can walk into town and not me? Paulie Junior still picks his nose. That is such a double standard."
"It is not," Ruth answered. "What Paul does with Paulie Junior is up to him, and what I do with you is up to me."
"You're treating me like a baby."
"No, I'm not, Bunny," Ruth said. "I am treating you like a very attractive, still very young, teenage girl."
"With no brain."
"With maybe not the best judgment," said Ruth.
"Since when do I have bad judgment?"
"Since you want to go to town fifteen blocks away when we don't know the area and you're wearing a string bikini." Ruth was cross, now. "I wish I'd never let you go shopping for suits with Zada. Really, Frankie, you're wearing hardly any clothes, you go into town, you get lost, what do you think is gonna happen?"
"I'd call you on the cell."
"That's not my point."
"So what -- if I were unattractive, you would let me go?" Frankie asked.
"Don't start that."
"How 'bout I stop by the house and put on a dress?"
"Frankie."
"If I were a boy, then would you let me?"
"You want to spoil the last day of our vacation with a fight?" snapped Ruth. "Is that what you want?"
"No."
"So stop talking back. Leave it alone and enjoy the beach."
"Fine. I'll go down the boardwalk." Frankie stood and shoved her feet into her flip flops, grabbed the bag where her wallet was, and stalked across the sand.
"Be back in an hour!" called Ruth. "Call me on my cell if you're going to be late."
Frankie didn't answer.
It wasn't that she wanted postcards -- or even that she wanted to go to town so much. It wasn't that Ruth had too many rules, either; nor that Paulie Junior got to go on his own last year.
The problem was that to them – to Uncle Ben and her mother, and maybe even to Uncle Paul – Frankie was Bunny Rabbit.
Not a person with intelligence, a sense of direction and the ability to use a cell phone. Not a person who could solve a problem.
Not even a person who could walk fifteen blocks all by herself without getting run over by a car.
To them, she was Bunny Rabbit.
Innocent.
In need of protection.
Inconsequential.

A half hour later and two hundred yards down the boardwalk, Frankie was shivering in that string bikini. She'd eaten half a chocolate frozen custard before the sky had clouded over. Now the cone was giving her chills, but it had cost nearly five dollars and she couldn't bring herself to throw it away.
Her hands felt sticky and she wished she'd brought a sweatshirt.
"You gonna eat that?"
Frankie turned. Sitting on the edge of the boardwalk with his feet in the sand was a husky, sandy-haired boy, about 17 years old. His small, friendly eyes squinted against the wind, and his nose was dotted with freckles.
"It's too cold."
"Can I have it?"
Frankie stared at him. "Didn't your mama teach you not to beg?"
The boy laughed. "She tried. But it appears I can't be trained."
"You really want a frozen custard some stranger has licked? That's disgusting."
"So it is," said the boy, reaching out his hand for the cone. "But only a little." Frankie let him have it. He stuck out his tongue and touched the custard. Then he squashed the top down into the cone, putting his whole mouth over it. "See? Now the worst is over and it's just my own spit. And I have a frozen custard for free."
"Uh huh."
"You'd be surprised what people will do if you ask them."
"I didn't want it anyhow."
"I know," the boy grinned. "But you might have given it to me even if you did want it. Just because I asked. Don't you think?"
"That's a lot of chutzpah you've got there. Don't let it weigh you down."
"I hate to see food go to waste. I'm always hungry." The boy raised his eyebrows, and suddenly Frankie felt that her mother was right about the string bikini. It was not enough clothing.
She was standing in what was basically her underwear, talking to a strange boy.
What was actually smaller than her underwear.
To a cute boy.
"What grade are you in?" she asked. To talk about something ordinary.
"Going into twelfth. And you?"
"Tenth."
"You're an infant!"
"Don't say that."
"All right." He shrugged. "But I thought you were older."
"Well, I’m not."
"What school do you go to?"
"It's in northern Massachusetts." Frankie said what Alabaster students always say, to avoid the ostentation of admitting they go to one of the most expensive, most academically rigorous private schools in the nation. The way Yale students inevitably say they go to school in New Haven.
"Where?" the boy asked.
"Why, do you know northern Massachusetts?"
"A little. I go to Landmark in New York City."
"Oh."
"Now you owe me. Where do you go?"
"It's called Alabaster."
"Shocker." A smile crossed the boy's face.
"What?"
"Come on. Everyone's heard of Alabaster. Exeter, Andover, Alabaster. A triumvirate of preparatory academies."
"I guess so." Frankie blushed.
"I drove down here just for the afternoon. From the city," said the boy.
"By yourself?"
The boy shrugged. "Yeah. I had a fight with the menstrual unit."
"The what?"
"My mom. The menstrual unit, the maternal unit, you know."
"You're mad at your mom so you're down here by yourself scrounging custard off girls?"
"Something like that."
Frankie's cell buzzed in her bag. "Speaking of. Mothers," she said. She flipped the phone open. "Mine is on the rampage."
"Where are you?" Ruth demanded. "I'm walking down the boardwalk and I don't see you anywhere."
"I'm by the custard stand. What?"
"Paulie Junior stepped on a jellyfish. We're packing up. What custard stand? There are at least five custard stands."
"Hold on." Frankie didn't want her mother to see this boy. This smart, strange boy she probably shouldn't be talking to. And she didn't want the boy to meet Ruth, either. "She's yanking my chain," she told him, and held out her hand. "I gotta go."
His hand felt warm and solid in hers. "Good luck at school," he said. "Maybe I'll see you around."
"Frankie? Frankie! Who are you talking to?" Ruth's voice barked from the phone.
"You're not going to see me around," laughed Frankie, beginning to walk away. "You live in New York City."
"Maybe I do and maybe I don't," called the boy. "You did say Alabaster, right?"
"That's right."
"Okay, then."
"I gotta go," Frankie laughed, and put the phone back to her ear. "Mom, I'm on my way back. I'll be there in five. Will you please relax?"
"Good-bye!" called the boy.
Frankie shouted back: "I hope you liked the custard."
"I like vanilla better!" he called. And when she turned to look for him again, he was gone.


How to Be Bad

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From HOW TO BE BAD, by E. Lochart, Sarah Mlynowski and Lauren Myracle. In stores May 6, 2008.

THE SET-UP: Vicks, Mel and Jesse are on a road trip in Florida. Armed with Vicks' guidebook to weird and wonderful sights of the sunshine state, the girls have come from a disappointing visit to the world's smallest police station, and have now snuck in to a shuttered museum that houses a large, taxidermied alligator.

The girls are going south to Miami to visit Vicks' boyfriend, Brady -- who hasn't called in the two weeks since he started college. Vicks is narrating:

The museum basement is practically pitch dark—it's only got those tiny windows up high at ground level. I reach the bottom of the stairs and shine my light into the center of the room: Old Joe is sitting in a glass case –sixteen feet long, nose to tail, and grinning an enormous toothy smile that says “I love you, baby” and also “I could eat you alive if I felt like it”—both at the same time.
Mel squeals as my flashlight shines into the gator's mouth, but Jesse walks straight up to the glass case. She kneels down and stares at him, real intent.
I stride up beside her and say, “Howdy, Joe. We came to see you. How you doing there? Wow, you're a big boy, aren't you?"
Jesse follows my lead. “Aw, who's a giant reptile, eh?” she says. “You are! You are!"
“Come to mama!” I coo. “What big teeth you have! And not a single cavity. What a good boy!”
I'm so happy, 'cause it's me and Jesse, like how we've been all summer, working at the Waffle. Us in sync, playing off each other's jokes. Like how it was up until, I don't know, a couple weeks a month ago when she got so sour.
Or maybe I got sour, when Brady left.
Anyway, the two of us are right up near old Joe, kneeling down with our faces close to his big, carnivorous grin—but Mel is hanging back, with a sick look on her face. Suddenly I feel sorry I pushed her so hard when any idiot can see that even a dead gator is making her nearly wet her shorts. “Come on,” I say, “You don't have to pet him. I'll keep him away from you. Joe? Sit. Stay. Good boy. Stay…”
I grab Mel's hand and walk her over to a spot about five feet from the case. We sit down cross-legged on the floor, just looking at him, shining the flashlight along his bumpy green body. Jesse comes and joins us.
We admire Old Joe in silence. Mel’s breathing a little hard, but otherwise she's okay.
“He may be dead,” I say eventually, “but he's a badass.”
“He is," says Mel.
“He's like a god,” I say. “He's like the god of the badass. Look at him.”
“You should watch your mouth, saying stuff like that.” Jesse smacks my arm, playfully.
“What?” I ask again.
“He can hear you!”
“Who?” I ask. Then I get it. “God?” I say. “You're worried God can hear me?” She's such a Christianpants.
“Listen, I’m all for being a bad...bottom—”
I hoot. “You? You?” To Mel, I say, “She said ‘bad-bottom.’”
Mel giggles.
“But it's a sin to worship false idols," Jesse reminds me.
"I'm an atheist," I explain to Mel, "My family worships pretty much nothing besides the glories of the potato."
“The gator is not a god and neither is a potato," Jesse tells me. "You shouldn't worship them."
“I'm joking," I say. "Hello? And besides, God – if he or she is up there – God is way more pissed about us breaking into the Wakulla Springs museum than about me calling the gator a 'god of badass.' Any real god wouldn't get mad about minor stuff like that when there are actual laws being broken.”
“I think God would be okay with us being in here,” puts in Mel.
Jesse turns to her. “How come?”
“Technically we're breaking a law, but we're not hurting anything. We're just —well, you two are appreciating the gator. And that's what it's here for, right? To be appreciated."
"Tell that to the world's smallest policeman,” I say.
“What?”
“The one who works in the World's Smallest station. Cause you know no normal size policeman could really work in that phone booth we visited."
Jesse smiles.
I continue: "God might be fine with us breaking and entering to appreciate Old Joe, but the itty bitty policeman's gonna have a hissy fit.”
“How tall do you think he is?” asks Mel. “Is he like, yay big? Four foot tall? Or smaller?”
“Oh, way, way smaller. He's the World's Smallest,” I say.
“I think he's like six inches,” says Jesse.
“What?” says Mel. “That's not even human. That means he's a leprechaun.”
For some reason this strikes us all as incredibly funny.
“Of course he's not a leprechaun!” I cry. “He's a human being! Give him some respect!”
“He's an officer of the law!” giggles Jesse. “He's six inches tall and he's like the policeman for cats, he makes the cats stop fighting.”
“Cats and those—what are they called, those yappie dogs?” I say.
“Yorkies," says Jesse, child of a dog-grooming-lady.
“Yorkshire terriers," says Mel, child of a rich man.
“Yeah, he's breaking up Yorkie fights," I say.
“And he hits them with a popsicle stick if they don't listen to him,” adds Jesse.
“Oh, and he doesn't eat donuts on his break,” cries Mel. “He just eats the little donut holes.”
“The munchkins.” Jesse nods. “That's so perfect.”
I raise my finger in the air, dead serious. “He's gonna barge in here any second wielding a miniature club and pointing an itty bitty gun at us and yelling, 'Put your hands on your head and back away from the gator!'”
Mel is wheezing she's laughing so hard.
“But when he does that," I go on, "we'll just pick him up and cuddle him to death!” More laughter. “I'll squash him between my boobs!" I cry. "He'll die happy!”
We can barely breathe.
“Not to death,” chokes Mel. “If you boob-squash him to death we could get life in prison for murder of an officer.”
“Oh, he's like a twelfth tenth of a full-size officer,” I say. “They'll be lenient.”
“You think?” Jesse wrinkles her brow.
“Oh, for sure," I say. "You saw the man's police station. It's a freakin' phone booth. He's got no respect in the community. They barely count him as a police officer. No way will we get life. And besides, we can say the death by cuddling was an accident. It'll only be, like, accidental manslaughter.”
“Okay then,” says Mel. “We have a strategy.” She says it with a completely straight face, and at first Jesse and I think she's missed the entire joke, but then we realize that's cosmically impossible and bust out laughing again.
When I get my breath, I want to make it up to Jesse. “I don't mean he's like a god,” I say. “What I mean is, he's like a role model.”
“Old Joe?”
“Or the smallest policeman?” Mel makes me laugh again, even though I'm trying to be serious. Because of course I wouldn't boob-squash my role model to death. “No, the gator. Look at him. He isn't afraid of anything."
“He's dead, that's why,” says Mel.
“No, he wasn't afraid when he was alive. He's like a symbol. He was never
scared a day in his life, he was ugly as sin, and he just rested in the sun, lapping up the goodness of the tropical air and knowing that he could bite clean through anybody tried to mess with him."
"He didn't care what anybody thought." Mel puts her hand to her cheek.
"Exactly. Don't you kind of have to admire the guy?”
“Yeah,” says Jesse, after a minute. “I do. We should sing to him.”
“What?” Singing was not part of my plan, here. “This isn't a cookout. It's Badass Admiration.”
“No,” she says. “I mean we should do like a ritual. To show Old Joe some love.”
“I'm not gonna sit here with you two and sing ‘I love you, you love me ,’ like you do at campfire girls or whatever. That is way too hokey. Old Joe would not like it.”
“No, no,” Jesse says. “It'll be good. Mel, you’ll sing with me won’t you?”
Mel plays with her fingers. “I probably won’t know whatever you’re going to sing.”
Jesse rolls her eyeshuffs. “You have an iPod with a two-thousand-song capacity. I think you'll know it."
"I meant, I don't know any church songs or anything. I’m Jewish."
Jesse looks surprised for a second, but then says, "Shh. Let me think of something.”
So we are quiet for a minute, and then Jesse begins.

From this valley you say you are leavin'
I will miss your blue eyes and sweet smile
For they say you are takin' the sunshine
That has brightened my path for a while—

And then Mel takes a breath and joins in:

Come and sit by my side, if you love me
Do not hasten to bid me adieu
But remember the Red River Valley
And the cowgirl who loved you so true.

Mel has a real voice, a singer's voice. Bright and shiny– like a sweet apple. Jesse looks as surprised as I am, and stops singing to let Mel have a solo.
“Won't you think of the valley you're leaving—” Mel sings, but then stops as soon as she realizes she’s on her own. “Jesse?”
She shakes her head. “You go.”
“I don’t like to sing alone.”
“Oh come on,” I say. “Old Joe wants you to. Al Roker wants you to."
She crosses her arms in front of her chest, closing herself off, like she’s about to say no.
"Please?" says Jesse. "You sing so pretty."
And Mel keeps going:

Oh, how lonely, how sad it will be—
Oh, remember the heart you are breaking,
And be true to your promise to me.

I feel my throat closing up. The girl in the song, her guy goes away and takes the sunshine. He might not remember his promise. Hell, he might not even remember the valley he's leaving, once it's out of sight.
They say you are taking the sunshine. That's exactly how it's felt since Brady went to Miami. He took the sunshine.
Why hasn't he called me? How could his feelings change so fast? Why does he have to jump into my brain even when I'm doing everything possible to keep from thinking about him?
And why can't I make my own sunshine?
I don't want to start sobbing about my love life in the middle of our Badass Admiration Ritual, so I swallow hard, dig in my bag and pull out a mango. “Let's leave him a token of our appreciation,” I say, handing the flashlight to Mel. I walk forward on my knees, bow, and lay the mango at the foot of Joe's case. “Old Joe Gator, you great Badass of Wakulla Springs, fearless symbol of our road trip, we thank you. For your inspiration. You were uglier than a cactus and never sorry about it. You were fierce. And you had some honking big teeth. Yet you were peaceful and made people happy. Long may you rock.”
“Long may you rock.”
“Long may you rock.”
“Oh, and we hope you like the mango. It looks like a juicy one.”

###

By the time we leave the museum, it’s officially night. The street is dark. From the shadows, a voice rings out to us. “Find anything good?”
There is a guy sitting on the hood of the Opel.

Review Quotes for Dramarama

"Very smart and very funny... theater lovers will swoon, and everyone else will appreciate the twists and the ending you don’t see coming." -- Booklist, starred review

"Jealousies swirl, talent shines and insecurities bloom amid the intense competition, reflected in Lockhart's zippy prose. The author deftly handles highly varied characterizations and vividly portrays the intense, sparkling and thorny aspects of the theater world. … Anyone with the acting bug will grab this and devour it in one bite. Exhilarating." -- Kirkus reviews

"Dramarama far surpasses other books that I have read. Aside from the hilarious plot and narration, E. Lockhart adds in issues that anyone who reads this novel is able to connect with." -- TeensReadToo.com

"Teens will identify strongly with both the heartbreak and the humor in this authentic portrayal of friendships maturing and decaying....An effervescent read, this is an excellent purchase." -- School Library Journal

"It is easy to get swept up with these enthusiastic students who hug and kiss "even when they're competing with each other," and who break out into an early-morning rendition of "Supercalifragilisticexpialidocious" on a dare....this production has more than enough energy -- and honesty -- to captivate its audience." -- Publishers Weekly

"E. Lockhart mixes summer camp, friendship, glitter, romance, dancing, singing and theater to make this book a Show Stopper! Brava!"
-- Cecil Castelluci, author of Boy Proof and Queen of Cool

Here's the review at Bookshelves of Doom.

Here's the review by Professor Nana.

Dramarama -- opening scene

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An excerpt from DRAMARAMA, by E. Lockhart, in stores May 2007.
From the beginning.

Transcript of a microcassette recording:

Demi: Is it on?
Sadye: That red light is supposed to glow.
Demi: It is glowing.
Sadye: No, it's not.
Demi: Yes it is. You can't see because of the angle.
Sadye: Stop it and check.

(thump thumpy thump, click click)

Demi: Ha HA! Let the record show that I was right.
Sadye: (Silence.)
Demi: Come, now. Give me some credit. The light was way on.
Sadye: (all fancy) Let's begin, shall we?
Demi: Of course, darling. But I was right.
Sadye: Here goes. It is June 24th and we, Douglas B. Howard Junior –
Demi: Demi!
Sadye: -- known to those who love him as Demi --
Demi: (interrupting) -- and Sarah Paulson, known to those who worship and lust after her as Sadye --
Sadye: Correction: known only to herself and Demi as Sadye --
Demi: (interrupting again) – that's SAY-dee, s-a-d-y-e, and don't you spell it wrong 'cause she's gonna be famous one day –
Sadye: -- are here in the back of the Paulson mini-van --
Demi: --talking into a teeny-weeny journalist-type cassette recorder.
Sadye: Micro.
Demi: Talking into a micro-cassette recorder to document the all-important fact that we are leaving Brenton, Ohio.
Sadye: Wooohooo!
Demi: We do not have to live in that Brenton suckiness for eight whole weeks.
Sadye: Goodbye, oh, dowdy math teachers! Goodbye, oh mean cheerleaders! Goodbye, no-neck jock contingent, boring do-gooders and juvenile delinquents!
Demi: Goodbye, stupid shopping mall! Goodbye, awful hairstyles!
Sadye: Goodbye, shallow, vacant members of the junior class and flat green lawns of suburbia! Goodbye, goodbye, and good riddance!
Demi: (singing) If ya don't mind having to live in Brenton… it's a fine life!
Sadye: (singing back-up) It's a fine life!
Demi: If ya don't mind prejudice, pain and boredom… it's a fine life!
Sadye: It's a fine life!

(Obvious and intentional parental coughing from the front seat of the mini-van, where Sadye's dad is driving. )

Mr. Paulson: A little less noise from the peanut gallery, thank you.
Sadye: Sorry, Dad.
Demi: Sorry, Mr. Paulson. It was Oliver.
Sadye: Oliver, the Brenton version.
Mr. Paulson: Oliver or no Oliver, you two are blowing my ears out.
Demi: Hey, do we have the new Broadway cast album in here?
Sayde: I think so. I packed it. Dad, can you find it?
Mr. Paulson: What?
Sadye: The Oliver CD. Duh.

(Mr. Paulson puts the CD in the minivan stereo)

Demi: I used to be a boy soprano.
Sadye: We know, we know.
Demi: Now I have to do it in falsetto.

(He attempts to sing a few bars of "Food, Glorious Food" along with the boy sopranos of the Oliver cast)

Sadye: Give it up, darling. You sound like Frankie Valli.
Demi: I'll take that as a compliment.
Sadye: Hah!
Demi: What? I love Jersey Boys. I'm all about Jersey Boys.
Sadye: Frankie Valli on crack.
Demi: Oh, shush your mouth. I'll be the first black man to play Frankie on Broadway. You watch me.

(They ride in silence for a minute. Demi eats potato chips out of a bag.)


Demi: Three more hours, and we'll be in heaven.
Sadye: Wildewood.
Demi: Like I said. Heaven.
Sadye: You're messing our tape up! Posterity will be confused.
Demi: Okay, say it right, then.
Sadye: Demi and I will be attending the Wildewood Academy of Performing Arts, summer theater institute, 2005.
Demi: We are gonna take over that place. Absolutely rule it.
Sadye: You think?
Demi: Oh, yeah. We'll be stars.
Sadye: Don't be under-confident, now.
Demi: Ha ha.
Sadye: Your lips are chapped.
Demi: We will. Be. Stars. I am predicting it, and I will make it so.
Sadye: I said, your lips are chapped.
Demi: Are you trying to deflate my ego? Because it will not be deflated.
Sadye: (laughs)
Demi: That thing is puncture-proof, baby.
Sadye: No, really. you need some lip balm.
Demi: Do you have? Give it here. Ooh, green apple flavor.
Sadye: Turn off the micro cassette. We've degenerated.
Demi: True. All of posterity does not need to hear about my chapped lips.

(click)


Demi.
My co-conspirator. My first true friend. A spirit made of equal parts ambition and razzle dazzle. A big baritone that slides easily into falsetto. And a future as bright as the lights on 42nd street.

Demi believed the Wildewood summer institute would be heaven. Believed he would be King there, and I would be Queen, and we would live all summer in utter fabulousness.

And he was right -- about himself, at least.

Dramarama -- watching the auditions

Dramaramafinalsmall_9From Dramarama, by E. Lockhart. In stores May 2007.

Sadye and Demi, along with their new friend Nanette, are watching start-of-the-summer auditions at the Wildewood Summer Theater Institute.
Sadye is our narrator -- highly opinionated, heterosexual, gawky, and wicked smart.
Demi is her best friend -- massively talented, flamboyantly gay, ambitious.
Nanette is a professional child -- she's spent years on Broadway and in national tours of various musicals.
They are recording themselves for posterity on a microcassette.


(click…buzz of people whispering, sound of piano in the background thumping out "All That Jazz" over and over)

Demi: (sotto voce) Ooh, you brought the mini recorder!
Sadye: (whispering) Micro.
Demi: Whatever. Okay, the date is June 26, and we're watching the dance combinations that go before Preliminary Monologues and Songs.
Sadye: In other words, we're at the Meat Market.
Demi: But I know what meat I want already. I want that Boston meat.
Sadye: Gross!
Demi: You're right. That did sound gross.
Sadye: Don't get distracted by meat. Tell posterity what is happening.
Demi: People are dancing onstage. Monsieur le petit Howard has decided not to sing "Manchester, England."
Sadye: You what?
Demi: I brought extra sheet music, in case I needed to change.
Sadye: I would never have thought of that. What are you changing to?
Nanette : (leaning in to look at the micro cassette recorder) Is that machine on? What are you doing?
Demi: We're recording our experiences for posterity.
Sadye: In case we're famous some day.
Demi: Because we'll be famous some day.
Sadye: It's like a document.


Demi: I’m a seat away from Nanette …hey, what's your last name?
Nanette : (no response, watching the dancers)
Sadye: Nanette, Demi wants to know, what's your last name?
Nanette : Wypejewski, but I go by Watson. It's easier to remember.
Demi: Maybe she should just be Nanette, with no last name.
Sadye: That's a bit much, don't you think?
Demi: Anyway, Nanette Watson is here with us, and behind me is Lyle, former first mate of the Jolly Roger.
Sadye: (watching the dancers, too) Even the best guys lose their appeal when you see them trying to dance. It's skewing my meat market experience.
Nanette : You are so right. Is that your Theo guy?
Sadye: Number 43.
Nanette : So do you like him, or what?
Sadye: What do you think? Do you think he's cute?
Demi: You asked me that yesterday.
Sadye: So?
Demi: He dances like a straight boy.
Sadye: That's because he's straight.
Demi: He doesn't have to dance like it. There's no call for that.


Sadye: But do you approve, is what I'm saying.
Demi: Miss Sadye, you act like personality isn't important. You act like I'd judge a book by its cover!
Sadye: Yeah, yeah, yeah. What do you think of his cover, though?
Demi: His pants are too baggy. I can't see his buns. Maybe he's hiding something under there.
Sadye: Demi!
Demi: You asked!
Sadye: He's not hiding anything, sheesh.
Demi: How do you know? He is most certainly keeping the shape of his buns a secret.
Sadye: He can play anything you want on the piano. Anything.
Demi: I'm reserving judgment until he wears some tighter pants.
Sadye: Shut up.
Demi: I can tell you like him. That was a test just now, to see if you got upset. If you got upset that meant you really liked him.
Sadye: Right.
Demi: You passed, by the way.


Sadye: I need a plan to make him notice me. It's like he noticed me, noticed me again, and then un-noticed me.
Nanette : He un-noticed you?
Sadye: Exactly. Reverse noticing. Anti-noticing.
Nanette : So now you need him to re-notice you.
Sadye: Yeah.
Nanette : One thing I do when I'm auditioning is wear this long scarf, see? It helps give directors a way to remember me easily. The girl in the scarf, if they can't remember my name.
Sadye: I'm not going to wear a scarf. It's like 80 degrees out.
Nanette : It was an idea. Not a scarf. Something like a scarf.
Sadye: Whatever.


Nanette : Oh, there's Kenickie. He's a hetero boy.
Demi: Who's Kenickie?
Sadye: Number 61. His real name is James. I danced with him yesterday.
Demi: He dances like a Timberlake. That's not theater dancing.
Nanette : He's the one that likes mint chocolate chip.
Demi: What?
Sadye: You missed it. I'm mint chocolate chip ice cream. As opposed to Brenton-variety vanilla.
Demi: So he has a thing for you?
Nanette : Yes.
Sadye: No.
Demi: Which is it?
Sadye: Iz thinks I'm his type. And he asked me to dance.
Demi: Oooh! The Timberlakian.
Sadye: You're going to turn me off him if you keep saying that.
Demi: Timberlakian, Timberlakian!
Sadye: Shut up!


Demi: He's okay, but I thought you liked the one that hides his buns.
Nanette : Kenickie has nice buns, but he's not my type.
Demi: What do you think, Sadye. Do you like the Timberlakian buns?
Sadye: At least he danced with me.
Nanette : Go where the bread is buttered, that's what I say.
Sadye: No one said it was buttered, though.
Nanette : Iz thinks it is.
Demi: The Timberlakian is covered in butter, Sadye! And the bun-hiding guy – he's like dry toast, that's what he is.
Sadye: (Sighing) Let's return to our posterity agenda.
Demi: Fine, if we must.
Nanette: If we must.


Sadye: For the record, let it show that I am doing my anti-Kristinish "Popular" and Juliet, same as before. Nanette, what are you doing?
Nanette : "Tomorrow" from Annie. And The Bad Seed for the monologue.
Sadye: And Demi, what are you doing, if you're not doing "Manchester"?
Demi: I think I have to shake it. So I don't get stuck with "Ol' Man River."
Sadye: Shake what?
Demi: My booty.
Sadye: You are obsessed with buns, today.
Demi: Not just today, darling.
Sadye: So what are you singing?
Demi: Wait and see.
Sadye: What?
Demi: That's all I'm saying.
Sadye: If you're not going to tell your audition piece to the microcassette, I'm turning it off.
Demi: Ooh, look at Iz. She can dance. Oh, and poor, poor Candie.


(silence, with only the sound of "All That Jazz," still coming from the piano.)

The Boy Book (and the Boyfriend List Paperback)

Theboyfriendlistpb

The Boy Book: A Study of Habits and Behaviors, Plus Techniques for Taming Them
is in stores, now.
It's the sequel to The Boyfriend List, which is available in paperback The new, cheaper edition of the first Ruby Oliver book has a fun author Q&A at the back, plus provocative questions for your book club or reading group.

In The Boy Book, Ruby Oliver confronts the secret about Noel,
mysterious notes from Jackson,
the interpretation of boy-speak,
the villainy of Cricket,
the horrors of the school retreat,
and the exploitation of hooters everywhere.
The_boy_book_13There are fruit roll-ups.
There is upper-regioning.
There are so many boys to choose from!
And there are penguins.
Preview it here.

"Lockhart achieves the perfect balance of self-deprecating humor and self-pity in Ruby, and thus imbues her with such realism she seems to fly off the page." -- VOYA

"Each chapter begins with an excerpt from 'The Boy Book' which is hilarious...The book not only covers topics teens obsess over, but it helps illustrate the connection Ruby had with her friends, especially Kim, and what a loss she has suffered. Ruby's overanalytical, fast-paced and authentic narration will win over new devotees, while her loyal fans will no doubt hope for more." -- Publishers Weekly, starred review

"The story is both humorous and witty, and the language is realistically raw. Sections such as "The Care and Ownership of Boobs" are particularly funny." -- School Library Journal

"[Ruby's] character's strength stems from her earnest search for identity through introspection, sexual experimentation, therapy, and the formation and rehabbing of new and old friendships. Refreshingly honest." -- Kirkus

"There are some books that are so good you read them cover to cover without stopping. The kind that can interrupt a weekend to such an extent that it’s mid afternoon before you realise you’ve not yet got dressed or washed your face or done any of the other things you would normally do straight after breakfast if you hadn’t instead picked up said paperback.The Boy Book is, needless to say, one of these books." -- The Bookbag, UK

A Junior Library Guild selection.

More Quotes about The Boy Book

Most of the print reviews are listed along with The Boy Book description on this site, but here's a review/essay on The Boy Book from the children's and teen lit blog A Chair, A Fireplace and a Tea Cozy.

Here is a review of The Boy Book in list form from Professor Nana's weblog on YA literature.

The review fromAvenging Sybil's Dawn Emerman.

Fly on the Wall

Flylightercolor2

Fly on the Wall: How One Girl Saw Everything, is about a girl called Gretchen Kaufman Yee who goes to a wacked-out art school in New York City. She's a collector of plastic Chinese food and odd figurines, a passionate comic-book artist, and a crazy Spider-man fanatic. She's also completely freaked out by the opposite sex -- in particular, the Art Rats, a group of guys in her drawing concentration. One day, she wishes she could be "a fly on the wall of the boys' locker room," just to find out what the heck guys really talk about.
And the next thing she knows... she is.
A fly.
On the wall of the locker room.

"I think this might be the best YA novel, as in a book published for young adults and also written for young adults, that I've ever read. Because it's a reworking of Kafka, and it's this crazy brilliant upending of all the sexual stereotypes we've ever had--particularly in YA lit, and it's hilarious, and it's so very smart. I mean, I'm serious... It's really amazing."
-- John Green, Printz Award winner for Looking for Alaska

I wanted to write about how a school where everyone is avant garde and hyper-original can be just as suffocating as a place where everyone is conformist. The pressure can be immense.

I also wanted to write about boys, and the human physique. To write honestly about coming to terms with lust, disgust, envy, self-consciousness, shame, pride -- all the stuff that comes along with growing into one's adult body.

I feel Fly on the Wall is a very body-positive book. It is also a Junior Library Guild selection.

Reviews of Fly on the Wall

From TeenReads:
"The novel is fast paced, hysterically funny, and a pleasure to read."

The Horn Book magazine says, of FLY ON THE WALL:
"This unexpectedly sharp comedy charts its own metamorphosis -- from teen angst ("Life as an Artificial Redhead") to surreal wish-fulfillment fantasy ("Life as a Vermin") and beyond ("Life as a Superhero"). Gretchen Yee, a well-intentioned but self-absorbed teen smarting over her parents' sudden divorce, wishes she could be "a fly on the wall of the boys' locker room" -- and then has to deal with the consequences when her wish inexplicably comes true. Stuck in observer mode (upon pain of squishy death), she learns to consider others' perspectives, enabling her to mend fences with her father, play matchmaker for her love-struck best friend, and connect with her own crush upon her return to human form."

From The Bulletin of the Center for Children's Books:
"The stylish text (rendered nearly multivocal by the periodic font changes) combined with Gretchen's frank fascination with the oddity and then the humanity of the male body and psyche are a rare treat."

From Publishers Weekly:
"Narrator Gretchen Yee will grab readers from the first page with her snappy commentary."

From School Library Journal:
"When the insect character emerges, Lockhart's writing style moves from prose to near poetry as she weaves in and out of Gretchen's mind. This technique allows readers to know what the protagonist is thinking, keeps the pace of the quickly moving story, and suspends disbelief with the very absurd concept. Although containing some strong language and mature situations, this novel is a good choice for teens who are unsure of their place in the world, including reluctant readers."

Here's the review on Reading YA: Readers Response.

Early Quotes, Fly on the Wall

“A super-smart, super-sweet, and super-fantastic read.”
-- Sarah Mlynowski, author of Bras & Broomsticks and Milkrun

A review from Professor Nana, the goddess of YA literature.

A review by Suzi, aka Connorgal, who writes another weblog on YA literature.

The Boyfriend List

The_boyfriend_list_1
From the novel, THE BOYFRIEND LIST, by E. Lockhart.

Here it is, the Boyfriend List. In chronological order.

1. Adam (but he doesn’t count.)
2. Finn (but people just thought so.)
3. Hutch (but I'd rather not think about it.)
4. Gideon (but it was just from afar.)
5. Ben (but he didn't know.)
6. Tommy (but it was impossible.)
7. Chase (but it was all in his mind.)
8. Sky (but he had someone else.)
9. Michael (but I so didn't want to.)
10. Angelo (but it was just one date.)
11. Shiv (but it was just one kiss.)
12. Billy (but he didn't call.)
13. Jackson (yes, okay, he was my boyfriend. Don't ask me any more about it.)
14. Noel (but it was all a mistake.)
15. Cabbie (but I'm undecided.)

Before anyone reading this thinks to call me a slut -- or even just imagines I'm incredibly popular --- let me point out that the above list includes absolutely every single boy I have ever had the slightest, little, any-kind-of-anything with.
Boys I never kissed are on this list.
Boys I never even talked to are on this list.
Doctor Z told me not to leave anyone off. Not even if I think he's unimportant.
In fact, especially if I think he's unimportant.
Doctor Z is my shrink, and she says that for purposes of the list, the boyfriends don't have to be official. Official, unofficial -- she says it doesn't matter, so long as I remember the boy and something about what happened.
The list was a homework assignment for my mental health. She told me to write down all the boyfriends, kind-of boyfriends, almost-boyfriends, rumored boyfriends and wished-he-were boyfriends I've ever had. Plus, she recommended I take up knitting.
I still have some doubts about Doctor Z, though by now I've been seeing her for almost four months. I mean, if I knew a 15 year-old who sat around knitting sweaters all day, I'd definitely think she had some mental health problems.

WHAT HAPPENED, YOU WANT TO KNOW?

In the same ten days I --
lost my boyfriend (boy #13)
lost my best friend
lost all my other friends
learned gory details about my now-ex boyfriend's sexual adventures
did something shockingly advanced with boy #15
did something suspicious with boy #10
had an argument with boy #14
drank my first beer
got caught by my mom
lost a lacrosse game
failed a math test
hurt Meghan's feelings
became a leper
and became a famous slut.
Enough to give anyone panic attacks, right?
I was so overwhelmed by the horror of the whole debacle that I had to skip school for a day to read mystery novels, cry, and eat spearmint jelly candies.

TO FIND OUT MORE, PICK UP THE BOOK, in stores now.

A List of Present-Giving Misdemeanors

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Another excerpt from THE BOYFRIEND LIST:

Below, a list of present-giving misdemeanors, perpetrated by Jackson Clarke upon the unsuspecting and inexperienced Ruby Oliver.
ONE. In first month of going out, put a tiny ceramic frog in my mail cubby every Monday morning. There were four. I still have them on my desk. Each one is in a different position and has a different expression on its face. Okay, that's not a misdemeanor. It's very nice. But then --
TWO. Stopped with the frogs. No explanation. That fifth Monday, I looked in my mail cubby first thing, all frog-ready, and it was empty.
I looked again after my first class, and it was still empty.
It was empty all day.
Why no frog?
I felt stupid bringing it up because it was just a tiny ceramic frog and not a big deal or anything, but I wondered all day why he hadn't given me a frog. Then I thought, maybe he forgot to bring it to school with him and he'll bring it on Tuesday.
But on Tuesday, no frog, again! A frog-less day.
At the end of Tuesday, Jackson asked me if anything was wrong. I tried to make a joke of it, felt so dumb even bringing it up, but it was so bothering me, like we had this special thing that we did and now he'd canceled it. "Ruby!" he laughed. "There were only four frogs, that's why! They had four different expressions at the store, and I bought them all. I ran out. It doesn't mean anything."
I said Okay, and I was sorry to be so silly. But if I had been him -- that is, if I had been the one giving the frogs, I would have found a frog-substitute for the Monday after the frogs ran out. I would have found a gummy frog, or a plastic frog-bath toy, or written a note with a frog on it. At the very least, I would have warned him that the fourth frog was, in fact, the final frog. Something. He wouldn't have gone wondering and feeling disappointed for two days.
THREE. Christmas. A reasonable time to give a present to your girlfriend, no?
Yes.
But Jackson's family went to Tokyo for the holidays, so he wasn't there on the actual day. The day before he left, I gave him this great brown leather coat I found at Zelda's Closet for thirty dollars. It was from the 70s, I think, and he had been saying he wanted a jacket like that for months. I was so happy when I found it. And he completely liked it -- but he didn't have anything for me.
"I'm sorry," he said. "I didn't know you were getting me anything."
I said it was okay, it didn't matter. But then, when he got back from Tokyo, I kind of thought he'd have something for me, then. Actually, I completely expected he'd have something. Is that insane? Bick bought Meghan a cashmere sweater. Finn saved up his money from working at the B&O and gave Kim a stack of CDs she'd been wanting. My dad gave my mom an amber necklace. But it was already January when Jackson got back, so I guess he figured Christmas was over and he had missed it.
FOUR. We had a fight. Jackson forgot that he had plans with me on Saturday, nothing much, he was just coming over to watch a movie on TV, but still. On Friday night we hung around at his friend Matt's place with a bunch of his friends, and when he dropped me off, he had very clearly said, "See you tomorrow."
I called him on Saturday morning, and his mom said the Dodge needed a new muffler and he had taken his car to the shop and would be back around two. By five o'clock he hadn't called.
By six o'clock he hadn't called.
At seven, I called him again. "You just missed him," she said. "Matt came by and picked him up. I think they went to the game."
Well, I could go to the basketball game, if I wanted, and see him there. But the bus to Tate takes like 45 minutes and only comes once an hour, and my mom and dad had gone to Juana's house for a dinner party, so they weren't driving me anywhere. Besides, I didn't think any of my friends were going, and it seemed weird to go alone. I called Kim, and she was going to the circus with Finn; Nora and Cricket were over at Cricket's and said I could come meet them at the B&O for coffee at 9, but I thought maybe Jackson's mom was wrong and he was getting a ride to my house from Matt, not going to the basketball game at all. So I stayed home to wait for him.
He didn't come.
I rang Jackson's cell, but he didn't pick up.
Our house seems cold and overly quiet when it's empty. Because it's on the water.
I read a little and watched TV, and made myself some ramen.
It seems stupid, but by 10 o'clock I was crying. I had dialed the cell three more times, but I didn't leave a message. Finally, I choked out the most relaxed-sounding thing I could think of to say, after the tone: "Hey, it's Ruby. I somehow thought we had plans tonight? I guess I was wrong. But give me a call."
He called at midnight. My parents weren't home yet. He said he just got the message, and I sounded upset, what was up?
"I'm not upset," I said. "I thought you were coming over."
"I went to the game with Matt," he said. "It was excellent. Cabbie scored six times."
"Didn't you say you were coming over?" I asked.
"I don't think so, Roo."
"But you did," I said. "We talked about it last night. To watch Annie Hall."
"We see each other all the time," Jackson said. "We see each other like every day."
"I know."
"So I need to go out with the guys sometimes, that's all."
"That's fine," I said. "I don't care. I just thought we had plans."
"It was a completely important game. We were playing Kingston."
"I was waiting for you."
He sighed. "Roo. Sometimes it's like you want me all to yourself."
"That's not it."
"Matt just came over and picked me up," he said. "He practically kidnapped me."
"Oh, so you did know we had plans?"
"He really wanted me to go; Kyle and the Whipper were in the back of the car. I swear, they pulled me in and wouldn't even let me get my coat."
"So you're saying you knew we had plans and you went to the game anyway? Without even calling?"
"I just forgot."
"Forgot to call, or forgot we had plans?"
"Ruby."
"What?"
"Why are you being so insecure?"
"I'm not insecure," I said -- although I was. "I spent my Saturday night sitting home eating ramen, when I could have been doing something."
"Well, why didn't you do something? You could have gone to the game, or gone out with Nora. Or Cricket. Whatever."
"I didn't do anything because I had plans with you!" I cried.
There was a pause. "You're getting too worked up about this," Jackson said, finally.
I sniffed. I kind of hoped he could hear me crying over the phone and would realize what a jerk he'd been.
"Are you okay?" he finally said.
"Yeah." Although obviously I wasn't.
"You're being oversensitive, Roo," he said.
"Maybe."
"I just went to the game with some guys."
"That's not the point."
"It's not a big deal."
"Don't you want to know what the point was?"
"I got up at six for cross-country practice," Jackson said. "I'm completely shattered. We can talk about this tomorrow."
"Okay," I said. But I didn't hang up.
"I'm gonna go, now, Roo," he said.
"Okay, go then."
"All right. I'm hanging up. Goodnight." And the line went dead.
The next day, Jackson called and came over in the afternoon. He brought me a brownie.
I ate it.
He said he was sorry. He should have called when he went to the game.
I thought he should have not gone to the game and come over to my house instead. But I didn't say anything about that.
I said the brownie was perfect, and brownies were my favorite, and did he feel like walking down the dock and looking at the boats? He said yes, and so we did.
But later, I wished I hadn't eaten that stupid brownie. I wished I had thrown it back at him and told him never to stand me up again.
FIVE. For Valentine's Day at Tate this year, the senior class decided to raise money for the Downtown Seattle Soup Kitchen by selling flowers and delivering them. For three weeks ahead of time, they took orders at a table in the main building: it was a dollar for a carnation, two dollars for a daisy, three for a rose. You'd put in an order, pay cash, and write a note to go with the flowers. Then on February 14, the seniors delivered the bouquets; they were showing up in classrooms, at the refectory tables, in the hallways, calling out names.
A lot of the more non-dating, non-gossipy girls – like the ones I know from lacrosse -- had had the foresight to send each other flowers. It was worth a few dollars so that your girlfriend could have Bick or The Whipper or Billy Alexander or some other hot senior interrupt math class with a rose. So there were a lot of deliveries. I sent daisies to Kim and Cricket and Nora, and I sent Jackson six roses with an anonymous card --but of course it would still be obvious whom they were from.
When I got to school that day, the whole place was buzzing. Kim already had a dozen roses from Finn the stud-muffin, and there was a daisy from Cricket in my mail cubby with a funny note. I saw Jackson after third period French, and he hadn't got the roses yet, so I didn't say anything. I got a rose from Kim and a daisy from Nora, and a carnation from this guy Noel who stands next to me in my painting elective, with a long goofy poem about unrequited love. Nora found the Playgirl in her mail cubby and cracked up.
Jackson sat with his friends at lunch, and I felt weird about him not having got the roses yet, so I pretended not to see him and hung out with Cricket, Kim and Nora. In fifth period, Nora showed me a rose she got from some guy she knew from basketball, which made her feel good even though she didn't like him "that way," and then asked to see what Jackson had sent me. I said Nothing yet, and she said, "Oh dear. I hope it's not a frogless day!"
"It better not be," I said -- but I had a sinking feeling that wouldn't go away all through Biology/Sex Ed.
After, when I was crossing the quad to H&P, I ran into Jackson holding the roses I sent him. He kissed me and said, "These are from you, right?" and I thought, Who on earth else does he think it could be? Shouldn't he know they're from me? -- but all I said was "Maybe," because I was trying to be mysterious, especially if he hadn't sent me anything.
In Mr. Wallace's class, now it was Cricket asking if I had anything yet, and when I said No, she said, "Don't worry. I hear it's a special order."
I couldn't think what a special order would be, but it sounded good, so I relaxed. Cricket had a rose from Pete, who's her boyfriend now, but she'd only just started liking him then. The Whipper delivered daisies to Kim, from a freshman who had a crush on her. A thousand hundred people asked me what I had from Jackson, and Heidi even advised me not to let him take me for granted, giving me this knowing look as if she knew him and all his tendencies a hundred times better than I did.
It wasn't as if I had any control over whether he took me for granted or not, anyway. What was I supposed to do? Act like I didn't like him? He had been my boyfriend for 6 months already.
Finally, in seventh period, Billy Alexander interrupted Brit Lit with a delivery for me.
It was half a carnation. carnation
Literally, a sad-looking white carnation sliced in half, with a note that said: "I would never buy you regular roses, like a million other roses given to a million other girls. Happy Valentine's Day. Jackson."
I tried to act pleased, but I could barely keep from crying. As soon as I got out the door of the classroom, I burst into tears. Kim was right there. "It's not even a rose," I cried, "It's the cheapest thing he could buy. It's only half of the cheapest thing he could buy."
"Oh, Roo," she said, "it's nice. It's unusual."
"It's soggy," I sniffed. "The card doesn't even say Love on it. People have been asking me all day and now all I've got this soggy, ripped-up flower."
"I’m sure he thought you'd like it," Kim said. "He had to order it special."
"I'd rather have roses." I kept my head down so people walking down the hall wouldn't see I was crying.
"You want some of mine?" Kim asked.
"No, I wailed. "That's not it. I wanted something romantic."
"I'm sure he meant well." Kim patted my shoulder.
I ran out of school and found Meghan's jeep in the parking lot. I didn't have an eighth period class, but she did. She wouldn't come out to drive me home for another 50 minutes. I sat down on my backpack, leaning against a tire, and waited. Finally she came out, jangling her keys, wearing a new pair of running shoes (from Bick) and carrying two dozen red roses. I'm sure she noticed my face was all red and swollen, but she didn't ask any questions. We drove home in silence.
When I talked to him later, I just told Jackson "Thank you" for the flower.

--excerpted from The Boyfriend List, by E. Lockhart. In stores, now.

Reviews, The Boyfriend List

The_boyfriend_list_1Richie of the YA book review site Richie's Picks calls The Boyfriend List "a delightful and frequently achingly honest tale--warts and all--about what happens when girls and boys meet." He also put the book on his Best of 2005 List.

Novelist and children's lit blogger Cynthia Leitich-Smith (Rain is Not My Indian Name) writes: "The Boyfriend List is one of the best examples of the direction I'd like to see us going with race and ethnicity in books for kids and teens...I can't remember the last time I was so personally engaged with a novel."

The Boyfriend List is one of the American Library Association's Quick Picks for Reluctant Readers, and it was a Junior Library Guild selection. South Dakota Library Association's YARP reading list award, 2007.

Quotes on The Boyfriend List

Last night I reread The Boyfriend List--I needed a pick-me-up--and it is so amazing. It really is. So sweet and sad and funny and real."
--Lauren Myracle, NYTimes best-selling author of TTFN, TTYL and Rhymes with Witches

"Ruby's exploits are agonizingly funny as she learns there is life outside her high school universe."
-- Girls Life

"The book is spectacular, with a well-constructed story and deep, emotional significance."
-- Romantic Times

"Spot-on dialogue and details make this a painfully recognizable and addictive read."
-- Publishers Weekly, starred review

"Lockhart shines at depicting the all-encompassing microcosm of school social life."
-- Kirkus

"It's in Ruby's anguished and sincere account of confusion, hurt, and longing for the affectionate relationship she thought she'd found that the book really shines. There's a genuine appreciation of the
significance such a relationship can have and the stunned sorrow a breakup can leave in its wake, even as the confiding and rueful tone of Ruby's narration edges the story into comedy and away from tragedy."
--Bulletin of the Center for Children's Books

"The comedy of errors will have readers laughing out loud."
-- School Library Journal

Read an excerpt from The Boyfriend List

Audio Clip of The Boyfriend List

You can now listen to an MP3 file of The Boyfriend List Audiobook. If that doesn't work, try this link to the file on my publisher's website. It's read by the awesome and funny Mandy Siegfried.

Buy the thing for your ipod at Audible, or for your stereo/car/whatever (in CD form or cassette) from Powell's or any of the usual joints.

Some Hype, The Boyfriend List

The_boyfriend_list_1Nice things people are saying about The Boyfriend List:

"I truly did enjoy The Boyfriend List—the book seemed so real it was like eavesdropping.  I think there are plenty of girls out there who will see themselves in this book and will gobble it down: not only as great entertainment, but as self-validation."
-- Annette Kurtis Clause, author of Blood & Chocolate, Alien Secrets and The Silver Kiss


"The Boyfriend List" is a wonderful comic exploration of:
-the maddening (but hilarious) world of mothers and fathers,
-the gut-wrenching politics (and excitement) of multiple crushes,
-and the complications (and kinship) of friendship.
Ruby Oliver is a winning girl (even if she doesn't realize it), whom we'd all befriend in a heartbeat (as long as she doesn't have eyes on our guy). A whole lot of fun.
-- Jill Davis, author of Girls' Poker Night


"Breezy and genuine, with a tender understanding of who really walks the halls in America's high schools. The Boyfriend List made me laugh and, yeah, I was kind of attracted to Kim."
-- Ned Vizzini, author of Be More Chill and Teen Angst? Nah


"Ruby Oliver's list of boyfriends is a wonderful and tragic document of our times. I felt kind of bad for some of the guys on the list -- but at the same time, while I read, I kept wishing I was on it."
-- J. Minter, author of The Insiders

Five Stars at YA Books Central

YA Books Central gives The Boyfriend List